Angels Art And Landscape Geometry
The fascinating examples of pre-historic art on rocks and in caves discussed in the preceding posts are not the only examples of using the landscape for symbolic communication. Stone circles like Stonehenge, megalithic tombs and carving out images in chalk deposits like the Uffington Horse in England have survived millennia and still puzzle and delight us today. But since the early 1980s, images have been appearing in cultivated cereal plants in countries as far apart as the U.S.A. and India. These images are mainly of abstract geometrical forms. Such forms are not limited to the modern era, however. There are historical references to such phenomena stretching back centuries. I am, of course, referring to a phenomenon that was the subject of an earlier post, Crop Circles.
Angels Art And Landscape Geometry
Often the formations appear overnight in several locations on different continents. 
It would seem that whatever is causing this phenomeon is not inhibited either by space or time. Nor is their art limited in complexity by their choice of artistic media: cereal crops. Look closely at this example from Woodborough Hill, England that appeared in the summer of 2000. If we are to beleive the theory that this is the work of human ‘hoaxers’, several essential questions need to be answered, beginning with the obvious one: Who has the time – and energy – at night to create one, and, sometimes two or three, such formations kilometers apart, night after night? What technology did they use to make it? Why are the stems of the laid plants merely bent but not broken? Why are the nodes or bracts of the laid plants enlarged whilst those of the plants left standing within the circle are not? If these formations are made by humans, how do they select which fields to invade?
Eccentrics or Micro-Waves?
The “Doug and Dave” theory of two eccentric retirees with too much time on their hands using boards held by ropes attached to their feet just doesn’t cut it when it comes to something this geometrically complex. At the other extreme is the hi-tech theory that ‘crop artists’ are using micro-wave technology of an undefined type to create the designs. This “explanation” doesn’t cut it either, especially since the proponents of the theory are unable to duplicate the feat of creating even one simple circle using micro-waves.
Let’s Play Spot The Hoax
Compare the geometric complexity of the two top examples at left and right with the simple circles and elipses that make up most of the image of the “alien” smoking a pipe below. Now that image I could believe was made by a couple of arrogant twits with too much time on their hands.
Can We Believe What We See?
What made me think more deeply about these examples of landscape art, were a number of video recordings, still photographs, and witness reports of balls of light in the vicinity of the crop formations. In several cases, these balls of light were observed to be flattening areas of cereal crops and sending up clouds of steam that were captured on camera. Naturally, my first response to these claims was ‘camera lens dirt’ or photographic ‘artifacts’ from the camera’s operation. Some of the images circulating on the web can indeed be explained away in just this fashion. But the sustained movement of the orbs of light captured in motion and followed for several minutes suggests a self-propelled technology or life-form under intelligent, if not conscious, control and we must then entertain the possibility of inter-dimensional life forms or technologies creating incredibly complex geometrical art work that can only be seen from an elevated position or from the air. We seem meant to observe these beautiful works of art and interpret them if we can. But phenomena such as the balls of light are not limited to areas with Crop Circles.
The Picture Gets Stranger
The photos below were taken over a period of years by residents of Col de Vence, France. They used various cameras, even cell phones, to photograph things they themselves could not see! Consequently,the photos were randomly taken and the anomalies on them are not from other light sources as they are at the top of a mountain with no lights except from the camera flash!
Two men are visible through the tubes of light that were recorded by the camera.
Look closely at the largest ball of pink light. A distinct pattern can be seen around the white centre. Again, no one saw these lights at the time.
And finally, the tubes of light like the balls or orbs come in various colours! As you can see in the top left image, the tubes are not stationary, they move about. Again, presuming that they are not the result of dirty lenses or post-event manipulation which is unlikely because the images were viewed on the screens of digital cameras as they were discovered, we have data that suggests that there is some interpenetration between our three dimensional context and some other dimension or dimensions. At least one of these dimensions may be the realm of what we call Angels.
Light is the realm of Angels
Compare these images painted by artist Andy Lakey with those above.
Lakey had a vision of seven beings of light when he was on the verge of death from a drug overdose. His experience was so profound that he changed his entire life and discovered a talent for art that he had never had before. He set himself the goal of painting 2000 Angels before the year 2000. No two of his Angels are identical.
Compare the images here with the pink balls of light in the photo from Col
de Vence. Lakey began painting his Angels in 1986. The Col de Vence photos were published in 2007. Notice the pink balls of light scattered between the ‘poles’ of light in Lakey’s painting. The lack of facial detail is made up for in the geometrical forms within the ‘bodies’ of the Angels. Lakey conveys the luminosity of these Beings of Light through the use of silver and gold reflective paint. No halos are necessary, nor are wings needed to convey the other worldly origins of these lovely images.
The Conscious Universe?
And last but not least, consider the image below taken by the Hubble telescope. NASA has named this formation “Cosmic Pearls”. It is the remnant of a Supernova that is 186,000 light years away in the Great Magellanic Cloud. The two bright objects flanking the circle of ‘pearls’ were unknown at the time the image was captured. In a Universe this amazing, are Angels such an outlandish idea?
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Photo credits:www.coldevence.com
Andy Lakey: Art, Angels and Miracles.
